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Sunday, Monday Happy Days

If it’s Sunday, it must be another morning concert at Wigmore Hall. What a great coincidence! Three of the concerts I chose came so close together!

Before getting to this week’s performers, let me talk about my Uber trip to Wigmore. Once again, I was running late, and Uber seemed the best solution. The driver was a charming man of East Asian descent. He noted the Fulham crest on my jacket, leading to a discussion of my team’s unfortunate defeat the previous day. He was knowledgeable about the players and tactics. Then things got a bit interestingly weird. [Note, was having a good hair day, I guess] I should say, he was quite bald on top with tightly cropped sides. He said to me said to something along the lines of “your hair, is all ???” I responded, “is it all mine, yes, I’ve just had some of it moved around a bit and it is the natural color?” [who would choose this crazy mix of silver, brown and grey?] Then he asked, “Was it…?” I replied, “Was it painful, no I slept through it.” “Was it expensive.” “Well, that depends” “It is very pretty, maybe you find new lady at your concert?” At this point we arrived at the Hall.

The Viano Quartet were this week’s performers. Their website describes their beginnings as: “Praised for their “huge range of dynamics, massive sound and spontaneity” (American Record Guide), the Viano String Quartet is the First Prize Winner of the 2019 Banff International String Quartet Competition and the current Nina von Maltzahn String Quartet-in-Residence at the Curtis Institute of Music. Formed in 2015 at the Colburn Conservatory of Music in Los Angeles, the quartet has performed all over the world in venues such as Wigmore Hall, Place Flagey, Izumi Hall, Konzerthaus Berlin, and Segerstrom Center for the Arts.”

The two selections were: Felix Mendelsohn’s String Quartet in A minor Op. 13 and Edvard Grieg’s String Quartet No. 1 in G Minor Op. 27. Each was played to perfection by these four gifted performers. The two pieces allowed each musician to demonstrate their significant abilities and talent. The violins and violas blended beautifully and cello both complemented and responded to the other instruments, as well as “singing” with them. The Quartet graciously played an encore after the strong applause and “bravos” they received.

One of the especially great things about this concert was that it was part of the CAVATINA Chamber Music Trust. CAVATINA has worked in partnership with Wigmore Hall for over 20 years, and now forms a major part of the Hall’s ongoing commitment to new audiences and its strategy to make tens of thousands of tickets available to young people every season, either for free or for just £5.

From Wigmore, I headed South, via London’s famed Underground network. Taking “the Tube” to today’s destination of “Tooting Broadway Station” is a familiar one to me. This is the home of dear friends who were hosting an 8th birthday party for their older daughter. The birthday girl’s paternal grandparents are my longest standing English friends, having met when they invited me to share a table at a crowded restaurant many years ago. This kind of English hospitality is what I have found over the years in this wonderful country.

The birthday party (I’ve been to all of the young lady’s, except for the Covid one) because her birthday falls during my annual London sojourn) was lovely. While her dad who is a great musician who appears on social media from time to time and her mum and her mum’s twin sister were child stars well-remembered and beloved by many in the UK, I will save her from social media fame. I am honored to be included in these family parties and to see the birthday girl, her sister and her cousins grow and thrive over the years.

“Monday, Monday, so good to me!” Unlike the song, Monday was morning brought me continued Facebook access issues. What is it about technology and me? I spent far too much time diddling around trying to find some way to gain access to my own account on either my laptop or phone. Luckily, I was able to maintain my Facebook account on my Kindle Fire. But the day was saved with the knowledge that I would be meeting a high school classmate and his partner for dinner Monday evening. We attended a large suburban high school on Long Island, NY. Our class had 777 students in it! That was down from 800 in some of the larger ‘Baby Boomer classes that preceded us. We were from Nassau County in is Hey Day of suburbanization. I lived in one of the earliest developed areas in a house built before WWII. Jack lived in the post-WWII Levitt-inspired part of area where our Oceanside Senior High School was located. As Jack described it beautifully to his partner, a lovely lady from Georgia, “there was the Italian crew, the Jewish crew, and the Irish crew,” we all got along, we were all friends, we all celebrated each other’s holidays.” That, in a nutshell, described our world. We may have our separate ways to Hebrew School, Sunday School, or CCD, but we knew and respected the customs and traditions of each other’s ethnicities and traditions. We played together on sports teams, were in clubs together, and so on. So, how did we manage to go through those years, and barely know each other? We laughed as we considered that!

Jack and I had mutual friends, several of whom, we had each stayed in touch with over the decades since we left Oceanside High School, both gone off to different branches of the State University of New York (me to SUNY Oneonta, him the SUNY Buffalo). We each went off to graduate studies. He eventually settled in San Diego where his dental career is legendary and me, of course, in Alexandria, Virginia for my career in Federal service. Our later life friendship had bloomed on Facebook, as so many have, particularly during the recent year of planning for our 50th high school class reunion that covid fears postponed until July of 2021. Jack did not make it ‘back east’ for the reunion but suggested we might meet in London this Autumn. And so, we did. It has been a few years since I have been to the National Theatre at Southbank. The first picture demonstrates the ‘brutalist style’ of the theatre complex, a true sign of that mid 20th century modernist style. The second shows the modern style of the restaurant looking out onto the Terrace which gives views out to the river Thames. The Terrace Restaurant now

teams with a successful food truck called Bob’s Lobster. So, we dined at Bob’s Lobster at the Terrace Restaurant. The dinner was very good. The service was stellar, and hostess was absolutely charming. We finished before the theatres let out, so it was quite easy to grab a Taxi at the upper ground, thhe place where taxis and other cars services drop off and pick up theatre customers. This is also a quick walk to the cab stand at Waterloo Train Station. I’m hoping to see Jack again when he returns to London from his next port of call.

And Who Can Forget the Royal Academy of Art

Well, obviously, I did. I guess an alternative definition for IBS must be “I be stupid,” because I completely forgot about the incredible visit that I had to the venerable “RA” in London the morning before things took a turn for the unpleasant in my inner regions. But, happily, the memory of a wonderful and amazingly well curated exhibit of the works of “Milton Avery, American Colorist” returned. The exhibition covered his work from the 1930s to the 1960s. His early days were certainly influenced by the American Impressionists, but his later works showed his close relationship with Rothko and other of the Abstract Impressionists. As I hope you will see in the selection of works that I show, his growth is clearly phenomenal, as is the expansive increase in color and the way he experimented with form.

Early Landscape

Coney Island, shortly after family move to New York City.

In person, these two still life studies showed a beginning of enhanced use of color and more of a use of three-dimensional depth.

Portrait showing a use of color and form with little concern for facial features.

Friends The colors catch the eye and seem to leave room for stories to be formed by each who view the painting or for one to simply enjoy the color play.

These final three images above all reflect the time Avery spent with the Abstract Expressionists, living and working with them. For me, a certain joy comes from viewing these paintings where the artist seems freed from any constraint of convention.

Over the years of my travels, I have seen some incredible art in large and small museums and galleries. Those that often surprised me most were artists I never knew before I took a chance on visiting their exhibition. Patrick Heron, the great English colorist comes to mind. I cannot imagine my life without the moments of joy that seeing his work have given to me. I now Milton Avery to this list. Great art, great music, great drama, great athletic performances, great literature. Seek them out. Make them part of your life.

Hurricanes and Knock Outs

I had planned another adventure for this week, and I had a Whisky event to attend, but as the old saying goes, “man plans, God laughs. So, while my friends in Florida prepared for the devastation of Hurricane Ian, I had no way of knowing that I would have a visit from a nasty old friend too. My doctor calls it IBS, and let’s just say when it decides to challenge a hurricane for my attention, it wins. So, I have been out of commission for most of this week but am starting to feel a bit like myself again, thank goodness. From what I have been able to garner from the news out of Southwest Florida, my little piece of paradise does not seem to have been hit as hard as those right along the coastline. It appears that my house was far enough east and north to avoid the storm surge, which did make its way up Naples’ Fifth Avenue shopping district and apparently took out half of the just renovated fishing pier on the Gulf.

Above are two examples of the damage wrought by the hurricane to this usually idyllic city on Florida’s Gulf Coast. For many years, Naples was a small city that catered mostly to retirees from the Midwest of the US, New England, and Canada. As a Virginian/New Yorker of Pennsylvanian descent, I was a rarity. But since my grandparents were Napolitano from the original Naples and my parents before me had found retirement happiness here, I thought it a good place to relocate. In normal times its warm and friendly. In recent years, we have been found out and the real estate boom has hit us. Over development has followed. I suspect that many more will have been affected, not only by the strength of this storm, but by the density of the population. I pray for the doctors, nurses, and first responders in Naples and Collier County-police, fire fighters, EMS, and all those long-suffering technicians who will be working countless hours getting cables, satellite connections, mobile phone towers, etc. operational again.

I hope to be out and about again next week with something more enjoyable and positive to write about.

Music on Sunday/Theatre on Monday & Talk

Another Sunday morning concert at Wigmore Hall. As I arrived, it occurred to me, as it has before, how

unprepossessing it is from outside. It’s almost easy to miss among the porticos and fancy fronts of the buildings nearby. The world inside, especially for these morning concerts, though, reminds me of how special it is.

This Sunday’s performers were the Zemlinsky Quartet. They are a Czech quartet who met as students in

Prague. Their website explains their name with these words, “Zemlinsky Quartet is named after the Austrian composer, conductor and teacher Alexander Zemlinsky (1871-1942), whose enormous contribution to Czech, German and Jewish culture during his 16-year residence in Prague had been underrated until recently. His four string quartets (the second one being dedicated to his student and brother-in-law Arnold Schönberg) belong to the basic repertoire of the ensemble. Since 2005, the quartet has maintained a special relationship with the Alexander Zemlinsky Foundation in Vienna.”

The program on Sunday was Mozart’s String Quartet No. 18 in C and Dvořák’s String Quartet in E flat. Each work was performed to perfection. The Mozart was more familiar to me and so it was easier to get lost in the music and enjoy the flow of stringed instruments. The Dvořák work was great. It was new to me, but I enjoyed it from beginning to end.

It was a chilly day and surprisingly cooler after the concert than before. I did catch up with two of my local friends in the afternoon at Caffe Tropea. One of my luckiest accomplishments this trip has been connecting with this group of folks of regulars. These two ladies are delightfully forthright and love to tease me about American views. I love to tease them about the outlandish things that the British press say about the Duke and Duchess of Sussex (aka Harry and Megan). The more we talked and laughed, the more I learned about our similarities and differences. Their country is a constitutional monarchy with its unwritten constitution and its social democracy that has been controlled by the Conservative Party (the Tories) for much of the last 50 years. We live in a democratic republic with a written constitution and a capitalist economy with aspects of social welfare programs at a much lower level of coverage than theirs. Our national government has been split between the two major political parties for much of the last 50 years and the 50 State governments are split, as well. I don’t think it is easy for either Americans or British to fully appreciate how different our two societies are in terms of how basic rights of citizenship are defined, exercised and accepted. The postwar generations also encountered vastly different lives. We in America were not rebuilding a bomb-ravaged infrastructure or playing in bomb craters or bombed out buildings for years after the war. We were living a different life. As I found in my years with Sister Cities in Alexandria, Virginia and Caen, France, there is no better way to understand people’s lives than to spend time with them in their own space. It is always time well-spent.

Monday was another chance for me to learn more about the United Kingdom from other friends and then to see a preview performance of a wonderful new musical play. But the day started with a quick Tube trip to the Victoria and Albert Museum in South Kensington. I’ve mentioned it before as my favorite museum and sometimes a just need a little “V&A” fix. It never fails. Upon entering the Exhibition Road Entrance, I was looking over the schematic layout on the wall. One of the outstanding volunteers asked if I needed help and we ended up having a delightful ten-minute chat covering the recent funeral of Her Late Majesty to favorite pieces in the museum and, of course, the perennial topic, the London weather. I then spent some time enjoying some galleries before going to my “happy place,” the Cast Courts that, as Wikipedia describes them, contain “reproductions of some of the most famous sculptures in the world. Most of the copies were made in the 19th century and in many cases, they have better resisted the ravages of time, 20th-century pollution and over-zealous conservation than the originals.” Afterwords, I returned home and caught up with two other friends for coffee at Caffe Tropea. These two, are politically aware and astute and gave me a great tutorial on The Labour Party from the second half of the 20th to now, and the beginning of their annual conference. We have had many great discussions on the subject of our two political systems over these two months. What a great addition, they too have made to my life.

The evening took me to a great theatre in Covent Garden, the Donmar Warehouse. Where the audience sits around three sides of the stage and there is no proscenium arch or curtain. I joke that this is the theatre where I made my West End debut. I was asked to hold up one end of a banner unfurled by an

You would never know it was a world class theatre.

View from the back of the stage.

an actor during a production of a Shakespeare play here. The preview I was here to see was “The Band’s Visit.” It is a simple sounding story of an Egyptian police department’s concert band, invited to play at the opening of an Arab cultural center in an Israeli city. A miscommunication causes them to travel to a tiny desert town with a name one letter different from the big city. The cast was wonderful, the music was incredible.

Alon Moni Aboutboul and Miri Mesika lead a cast that turn the stage into that tiny desert village. Ms. Mesika, an Israeli singer and actor has a voice that evokes the mood of the songs in a way that is heartbreaking and bittersweet. Mr. Aboutboul is the leader of this group of musicians, but also a police officer first, conflicted in his roles, and shows it perfectly as his performance continues. The musicians who are on stage much of time must, and do, have some acting talent and some of the actors must play instruments. The success of all is a credit to them. This was a truly delightful evening at the theater. The Donmar also always manages to have a very friendly and personable staff which adds to the ambience of the evening. I understand this show started as a movie. Definitely worth seeing.